Blues
Blues Guitar Lesson: Killer Blues Licks with These 3 Tricks!
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In this lesson you’ll learn 3 simple tricks you can use for killer blues licks and better blues guitar solos. Let’s dive in!
0:40 Everything in this blues guitar lesson is shown in the key of G and uses these blues scale patterns shown. All the blues licks and ideas will work great over a 12 bar blues in the key of G but make sure you move it to other keys as well.
1:17 Killer Blues Trick 1
If there’s one must know string bend in blues guitar…it’s this! It’s up at the 8th fret in the key of G and comes from the top part of the sliding blues scale. You’ll recognise it from the kind of licks I play here.
It’s versatile and works at lots of different points in the 12 bar blues.
3:08 Practice using this bend and it will start to come out naturally in your blues licks and solos.
3:18 Killer Blues Trick 2
This awesome little blues slide will give your solos some ‘grease’! It comes from the 1st pattern of the G blues scale. I use my 3rd finger to play it. Find ways to ‘get in’ to the lick and ways to ‘get out’ of it and practice mixing it in amongst all the blues licks and tricks you do already.
4:54 Killer Blues Trick 3
Essential bending technique for awesome blues bends! This will make a huge difference to your blues licks and solos because we use bends all the time when we play blues solos. Use your picking hand to ‘cut off’ the bend before you release it rather than getting a ‘let down’ sound all the time (even when you don’t want it).
Also experiment with letting the bend so you do hear it. A mixture of these different bending techniques will make your blues solos and blues licks more interesting.
Have fun!
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Classic Jimi Hendrix Style Lick: ‘Watchtower’
Jimi Hendrix Style Lick: Watchtower
Learn a classic Jimi Hendrix style guitar lick similar to what Hendrix plays at the end of his classic ‘All Along the Watchtower’ solo. This lick uses many classic Jimi Hendrix style moves and is a cool addition to your guitar lick bag. So let’s jump in and check out the this Jimi Hendrix lick!
0:15 Here’s the Jimi Hendrix lick you’ll learn in this guitar lesson.
0:29 The lick comes from the C# blues scale played up around the 9th fret. Here’s the scale pattern Jimi Hendrix is using for this particular lick.
0:45 Jimi Hendrix used to tune his guitar down one fret remember! So if you hear this lick played on the recording to ‘All Along the Watchtower’ it’ll sound 1 fret lower than it does here (because I’m in standard tuning!)
0:55 Jimi Hendrix Lick chunk 1. Here’s how to play the first part of the lick.
1:30 Jimi Hendrix lick chunk 2. Here’s how to play the second part of this guitar lick. Notice all the cool bends…take ’em and make sure you’re using these in your own playing.
2:09 Jimi Hendrix lick chunk 3. Here’s how to play the next part of this guitar lick. Notice the cool blues scale runs here. Take these and experiment with making up your own guitar licks using these as a starting point!
2:33 Here’s the complete lick played slowly.
2:43 Here it is played over the backing track.
Experiment with this lick to see how you can make it work in your playing and remember the most important thing is to create variations of your own.
Have fun!
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Learn This Classic Jimi Hendrix Double Stop Lick!
Jimi Hendrix Style Double Stop Lick: ‘Double Stopper’
Lesson 2 in my Jimi Hendrix guitar licks series. This is similar to what Jimi Hendrix plays at the start of his classic ‘All Along the Watchtower’ solo. This lick uses trademark Jimi Hendrix double stops and is a cool addition to your guitar lick bag. So let’s jump in and check out the this Jimi Hendrix lick!
0:15 Here’s the Jimi Hendrix lick you’ll learn in this guitar lesson.
0:29 The lick comes from the C# blues scale played up around the 9th fret. Here’s the scale pattern Jimi Hendrix is using for this particular lick.
0:45 Jimi Hendrix used to tune his guitar down one fret remember! So if you hear this lick played on the recording to ‘All Along the Watchtower’ it’ll sound 1 fret lower than it does here (because I’m in standard tuning!)
0:59 Jimi Hendrix Lick chunk 1. Here’s how to play the first set of double stops at the start of the lick.
1:52 Jimi Hendrix lick chunk 2. Here’s how to play the second part of this guitar lick. Notice all the cool double stop bends…take ’em and make sure you’re using these in your own playing.
2:09 Jimi Hendrix lick chunk 3. Here’s how to play the next part of this guitar lick. More double stops! Take these and experiment with making up your own guitar licks using these as a starting point
2:28 Here’s the complete lick played slowly.
2:51 Here’s the Jimi Hendrix lick played over the backing track now.
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Learn This Jimi Hendrix ‘Hey Joe’ Style Rock Lick!
Jimi Hendrix Lick -‘Hey Joe’ style
Welcome back to my Jimi Hendrix guitar lick series and it’s time for another Jimi Hendrix licks. This time it’s a lick similar to what Jimi plays at the start of his solo on ‘Hey Joe’. This lick uses trademark Jimi Hendrix blues style string bends and slides. So let’s jump in and check out the this Jimi Hendrix lick!
0:13 Here’s the Jimi Hendrix lick you’ll learn in this guitar lesson.
0:29 The lick comes from the E minor pentatonic scale played up around the 12th fret. Here’s the scale pattern Jimi Hendrix is using for this particular lick.
0:39 Jimi Hendrix Lick chunk 1. Here’s how to play the firstpart of the lick. It’s using some soaring string bends from inside the E minor pentatonic scale.
1:18 Jimi Hendrix lick chunk 2. More Hendrix style string bending ideas. Check out these bends…take ’em and make sure you’re using these in your own playing.
2:09 Jimi Hendrix Lick chunk 1 played slowly with chunk 2.
2:20 Jimi Hendrix lick chunk 3. Just more bluesy phrasing here with slides, vibrato and punchy phrasing. T
3:00 Here’s the complete lick played slowly.
3:14 Here’s the Jimi Hendrix lick played over the backing track now.
Hope you enjoyed this lesson. Remember to experiment to see how you can ‘twist’ this lick into some cool licks of your own.
Have fun!
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Jimi Hendrix Lick: Learn a Killer ‘Hey Joe’ Style Hendrix Lick!
Jimi Hendrix Licks – Killer Jimi Hendrix Lick Lesson!
Learn a classic Jimi hendrix style guitar lick similar to what Hendrix plays at the end of his classic ‘Hey Joe’ solo. This lick uses many classic Jimi Hendrix style moves and is a cool addition to your guitar lick bag. So let’s jump in and check out the this Jimi Hendrix lick!
0:12 Here’s the Jimi Hendrix lick you’ll learn in this guitar lesson.
0:24 The lick comes from the E minor pentatonic scale played up around the 12th fret. Here’s the scale pattern Jimi Hendrix is using for this particular lick.
Jimi Hendrix used to tune his guitar down one fret remember! So if you hear this lick played on the recording to ‘Hey Joe’ it’ll sound 1 fret lower than it does here (because I’m in standard tuning!)
0:34 Jimi Hendrix Licks – chunk 1. Here’s how to play the first part of the lick.
1:07 Jimi Hendrix Licks- chunk 2. Here’s how to play the second part of this guitar lick. Notice all the cool bends…take ’em and make sure you’re using these in your own playing.
1:50 Jimi Hendrix Licks- chunk 3. Here’s how to play the next part of this guitar lick. Remember why we learn guitar licks: to gather together ‘structures’ and ideas to use for making up our own licks and solos! Take these and experiment with making up your own guitar licks using these as a starting point!
2:25 Here’s the complete lick played slowly.
2:40 Here’s the Jimi Hendrix lick played over the backing track now.
As always take this and see how you can use it to make up cool licks of your own. Have fun and catch you next time!
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Bending Vibrato Guitar Lesson: How Do I Vibrato String Bends?
Vibrato can sound awesome on string bends and it’s a sound we hear all the killer rock and blues guitar players use in their solos!
But how can you do it without the bend just, er…fizzling out completely when you vibrato it?
In this lesson I’ll show you
- The right way to add vibrato to a bend (for a big, exciting and punchy sound!)
- The No.1 problem guitarists have with this technique (and how you can fix it…easily!)
- 3 things you need to make your vibrato go from ‘so so’ to awesome !
So dive in and find out how this technique can literally transform the sound of your licks and solos!
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Bending Vibrato Guitar Lesson – How Do I Add Vibrato To String Bends?
0:23 Hear a demo of what vibrato sounds like with string bends. Notice how it makes bends so much more expressive and energetic!
0:48 Bending Technique and hand Position
If you’re getting a poor sounding string bend to start with…then no amount of vibrato will get it sounding good! Here we look at some key pointers for solid bending technique. I suggest putting your thumb firmly over the top of the neck when you bend and make sure you use the next door fingers to help push the string. This makes it easier to move it as well as providing much needed stability and strength.
1:41 Adding Vibrato to a Bend.
To add vibrato to a bend you basically let the bend down a fraction then bend it back up to pitch. This takes a little control to get sounding good! Only let the string down a very small amount before bending it back up again.
2:05 Vibrato and Bending (Tips for Success!)
So that’s the mechanics of how it’s done. Now let’s look at some crucial tips you need to know about to get your vibrato on your bends sounding good.
2:15 Vibrato Tip 1- Make your vibrato sound rhythmic.
Give your vibrato a rhythmic ‘pulse’ so it sounds musical, controlled and polished.
2:45 Vibrato Tip 2 – Bend the String Back to Pitch
Out of tune vibrato is not good! After you let the bend down make sure you bend it all the way back up again. If it’s ‘in between’ then it’ll sound like an out of tune bend…not good.
3:14 Vibrato Tip 3 – Even ‘Let Downs’
Try to let the string bend down the same amount each time. This will make the tone and pitch of your bending vibrato consistent and smooth. If you’re doing this and making your vibrato rhythmic at the same time then you’re on your way to getting great vibrato and string bending technique.
3:50 Vibrato Tip 4 – ‘Pin’ the String
As you bend and vibrato you need to keep pressing the string ‘into’ the fingerboard of your guitar. If you release the pressure here then you’ll lose the sound and note. So it’s essential to keep a strong grip on the string even though you’re pushing it up and down.
4:40 Bending Vibrato Practice Exercise
One of the best ways to practice your bending vibrato is to take a common scale like the minor pentatonic and practice adding vibrato to the most often used bends from the scale. I demo this using the A minor pentatonic scale.
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Blues Guitar Lick: Is This the No.1 Must Know Blues Guitar Lick
There’s a lot of Blues licks out there to play in your solos, but there is a specific Blues guitar lick that every guitar player must know. It sounds great at the beginning, at the end or at any point of the solo while playing a 12 bar blues. So, in this lesson you will learn to play possibly the most classic Blues lick ever
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Blues Guitar Licks – Is This the No.1 Must Know Blues Lick
So there are hundreds of blues guitar licks out there. But there is one lick which is played by all the blues guitar greats…and in this lesson I’ll show you how you can start playing it too. It’s one of those blues guitar licks that sounds great almost anywhere in a blues solo and it’s an essential addition to your blues guitar lick library. Let’s dive in!
0:26 Learn to play possibly the most important and ‘must know’ blues lick there is! All the legends know it and use it. It’s an essential bit of blues guitar language.
0:42 Here’s the A minor pentatonic scale shape at the 5th fret. This is the scale that this lick (and dozens of other blues guitar licks you must know!) comes from.
1:04 Here’s the No. 1 blues lick you must know played so you can hear it. Sounds familiar eh? Let’s break the lick up and look at how you can play it.
1:57 I’ll jam over a 12 bar blues in the key of A now. See if you can spot the blues lick in my solo. You’ll hear how it works at all sorts of places throughout the 12 bar blues.
2:45 Blues Guitar Licks Variation. Here’s a basic variation you can do with this lick. It’s just a simple tweak, but can be handy for getting up to the higher notes on the neck in the sliding blues scale.
3:54 So what can you do with blues guitar licks like this one? Take them and practice using them that’s what! Experimentation is the key to making it work in your solos so don’t hesitate, jump in and see how you can use it right away.
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The Major Pentatonic Scale
and Soloing In Major Keys
The major scale? Blues scales? Minor pentatonic scales? All of ’em?
There are several answers to this question…which can make it kind of confusing if you’re just starting out!
But there is one simple scale that worksgreat most of the time…the major pentatonic scale.
So if you need to kick start your major key soloing skills, aren’t sure what the major pentatonic scale is or how to play it, or if you just want to brush up your major key solos…then this episode of the ASK JAMES GUITAR SHOW is for you!
In this short lesson I’ll show you:
- How to play the major pentatonic scale (hint: if you know your minor pentatonic scale it’s easy!
- How to avoid the mistake many guitar players make in major keys (it don’t sound good!)
- How to spot a major key chord sequence so you know when to use the major pentatonic scale (this confused me for years…)
Have fun…and remember you can ASK A QUESTION on the Ask James Guitar Show page…
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The major pentatonic scale is the most commonly used guitar scale when playing a guitar solo in a major key. In this short lesson you’ll learn everything you need to know to get started playing and using the major pentatonic scale in your guitar solos.
Here’s a breakdown of what you’ll learn in this guitar lesson:
- 0:20 I’ve had lots of guitar players ask about how to play a guitar solo in a major key. In this lesson I’ll show you a simple hack for using your minor pentatonics in a major key as well!
- 0:55 Major keys and minor keys – what’s the difference? In a minor key it’s common to use the minor pentatonic scale to solo. But this won’t work in a major key. For that we need the major pentatonic scale.
- 1:25 If you take a minor pentatonic shape and move it down 3 frets it becomes a major pentatonic scale. This is a super handy because you can now use all your minor pentatonic scale patterns to solo in major keys. You can also recycle lots of your favourite pentatonic licks and bends into major pentatonic licks. They won’t always work but often they will.
- 3:25 I’m going to solo over a chord sequence in the key of D major. For this I can move my D minor pentatonic shape at the 10th fret down 3 frets to the 7th fret and play D major pentatonic scale.
- 4:51 You can hear how the major pentatonic scale fits great with the chord…sounding melodic and strong. Learn how to decide whether to play in major or minor when you play a solo.
- 5:23 Can you mix up major pentatonic and minor pentatonic scales on guitar. Yes you can, but it’s good to get the hang of using them seperately first before you try mixing them together.
Questions? Leave them in the form on the ASK JAMES GUITAR SHOW page
Hope this lesson helped you out and see you next time!
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The ‘Must Know’ Blues Guitar Scale!
How to Play and Use It Over a 12 Bar Blues
There are lots of answers to this question…which can make it kind of confusing if you’re just starting out!
But there is one simple blues guitar scale that all the blues legends use most of the time.
If you’re just starting to get into playing blues guitar then this episode of the ASK JAMES GUITAR SHOW is for you!
In this short lesson I’ll show you:
- How to play the exact scale shape used by all your favourite blues legends…most of the time!
- How to use it over the 12 bar blues (it’s easier than you might think!)
- The common mistake many guitarists make with the scale (which makes it much harder to use than it really is)
- The next step you need to take to start sounding like a blues guitar player
Have fun…and remember you can ASK A QUESTION on the Ask James Guitar Show page…
SUPERCHARGE your Blues Trick Bag with my awesome ‘Blues Guitar Bundle’!
Here’s a breakdown of what’s covered in this lesson:
- 0:17 What blues guitar scale should you use to play over a blues? The major scale? The minor scale? Pentatonic scales? This is a question I hear a lot!
- 0:40 There are lots of scales you can use over a blues but the most common is the minor pentatonic scale. This is the best starting point and definitely where you should begin.
- 0:50 Here’s exactly how to play a minor pentatonic scale in the key of G.
- 1:35 Lots of guitar player think you need to move the scale around when the chords change in the 12 bar blues- but you don’t!! You can play the minor pentatonic scale over the entire blues chord sequence…there is no need to move it anywhere. It’s possible to only know this one blues guitar scale and still sound amazing!
- 2:27 Hear the sound of the scale over a 12 bar blues – it works great!
It’s simple and easy to do meaning you can focus on the important things…like playing stuff that sounds good and makes you sound like a blues guitarist! - 3:00 You need to play the scale in the right key though! See button below to watch a helpful video on changing keys
- 3:30 Knowing the scale is a great start but you also need to build up a library of great sounding blues licks you can use to make your playing sound musical. See links below for helpful videos showing you great licks to get started on
ERIC CLAPTON STYLE BLUES LICKS LESSON
EASY JIMI HENDRIX STYLE BLUES LICKS
ESSENTIAL BLUES LICKS AND TECHNIQUES
BLUES STARTING LICKS…HOW TO START YOUR SOLO!
Questions? Leave them in the form on the ASK JAMES GUITAR SHOW page
Hope this lesson helped you out and see you next time!
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Blues Turnaround Lesson
How To Add the Classic Blues Turnaround Into Your Solos
In this episode of the ASK JAMES GUITAR SHOW I’m going to show you exactly how to do it.
Watch this short lesson to find out:
- What is a ‘turnaround lick’ and how you can use it to give your playing that ‘polished’ sound
- How to play the classic turnaround lick all the blues legends use (step-by-step breakdown included!)
- How you can learn to ‘drop into’ the lick anytime at the end of your solo for that classic ending
- How to practice this skill…for speedy results!
Have fun…and remember you can ASK A QUESTION on the Ask James Guitar Show page…
SUPERCHARGE your Blues Trick Bag with my awesome ‘Blues Guitar Bundle’!
Here’s a breakdown of what’s covered in this lesson:
- 0:25 What is a ‘turnaround lick’? Here I answer this question and demonstrate the turnaround lick we’re going to be using.
It’s in the key of G and I’m going to demonstrate it over a 12 bar blues in the key of G. - 1:12 Here’s how to play the G blues turnaround lick we’re using in this lesson.
- 2:18 The lick begins on beat 2 of the 11th bar of the 12 bar blues. So you need to improvise up to that point before dropping seamlessly into the turnaround lick. I’m going to demonstrate how to do this over a 12 bar blues backing track.
- 3:21 Here I explain what I did in my improvisation. Also how to learn to ‘feel’ when it’s time to begin the turnaround lick.
- 3:44 If we isolate the final 4 bars of the 12 bar blues and practice playing round and round over that section it focuses our attention on combining the lick in with our solo. Do this unaccompanied at first. Then take a 12 bar blues backing track and loop the final 4 bars around so you can play over it.
- 5:07 Another tip for tagging your turnaround lick onto the end of your blues solo.
- 5:46 The ‘turnaround’ isn’t just a lick! It’s actually the final 2 bars of the 12 bar blues chord sequence. You don’t have to play a ‘turnaround lick’ there at all if you don’t want. It’s fine just to carry on your solo. Hear me demo this approach.
Questions? Leave them in the form on the ASK JAMES GUITAR SHOW page
Hope this lesson helped you out and see you next time!
SUPERCHARGE your Blues Trick Bag with my awesome ‘Blues Guitar Bundleand your Members Only ‘Video Powerpack!”
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