String bending problem 1: Poor Bending Hand Position
For good string bending technique place your thumb over the top of the neck . This gives you more control and stops you losing the string as you bend it. You also want to back up the bending finger with any available fingers for awesome string bending technique.
String bending problem 2: String Bends Not Ringing Clearly
A common string bending problem this one! Make sure to pin the string firmly into the guitar neck. Press it into the neck even as you bend. This will help you get big and clear bending sounds into your solos and licks.
String bending problem 3: Practice bending With Different Fingers
Instead of only bending strings with your 3rd finger, simply practice some of your favourite string bends and licks using your other fingers.
String bending problem 4: Fixing Out Of Tune String Bends
Use this simple exercise to quickly fix out of tune string bends in your playing. This simple bending exercise will help get your string bends in tune and sounding awesome and it can make a big difference to your string bending even after just a few minutes practice.
String bending problem 5: Muting String Bends and Fixing Noisy Bends
How can you get rid of string noise when you bend strings? Watch this part of the lesson to discover how to use string muting and damping technique to control your string bends.
So take action and fix your guitar string bending problems now with these tips. Use ’em and you’ll soon be rewarded with the sound of big, juicy, fat sounding string bends!
Don’t kill your guitar picking technique by making these 5 common picking mistakes! In this picking lesson we cover picking hand tips, picking hand position, holding the pick, alternate picking and more.
I’ll also show you 3 simple alternate picking technique exercises you can use to practice and develop your picking chops.
So jump in and give your picking technique a workout!
Learn how to easily create dozens (even hundreds) of awesome sounding repeating guitar licks to use for high energy solos. Repeating guitar licks are an easy and effective way to create exciting, high energy guitar solos and we hear them used by all the great rock and metal players like Slash, Vai, Page, Rhoads – pretty much all of ’em use some repeating licks in their solos.
But how can you come up with your own awesome repeating licks?
Well stay tuned because in this video I’ll show you an easy way you can create ear catching repeating rock licks from our old friend the blues scale!
Repeating Guitar Licks – How To Make Your Own Awesome Repeating Rock Licks!
0:15 Repeating licks demo. Hear me solo using some repeating licks similar to the ones I’m going to show you in this guitar lesson.
1:00 In this lesson I’m going to show you how to take one simple repeating lick and create lots of simple and logical variations on it. This is a great way to build out a guitar style because you’ll see how you can easily start to make up new licks and ideas simply by reworking things you already play and know…cool!
1:15 Here’s how you can play the A blues scale pattern down at the 5th fret. Also I show you how to modify it slightly to give a ‘symmetrical blues scale’ shape. This is great for repeating licks because the fingering is the same on every string making it easy to adapt a lick to other string sets.
3:00 Repeating Lick 1. Here I’m going to show you a simple repeating lick. This will be the starting point for the other repeating licks we’ll create during this lesson.
3:54 This repeating lick is cool…but how can we change it to create a new repeating lick. The symmetrical scale pattern we’re using makes this pretty easy. In this example I’ve just moved it onto the B and high E string.
4:38 String skipping can be a cool way to ‘open up’ a repeating lick and create a new idea. Here we skip the B string to get a dark, bluesy repeating lick. Watch the string skipping. It might test out your fretting hand!
5:45 Extending the original repeating lick is a cool way to create a new idea. We’re going to extend it into a lick that lasts for 4 beats instead of 1 beat. This high energy repeating lick is heard in the playing of guys like Zakk Wylde.
7:03 This repeating lick can easily be transferred to the top two strings like we did before. This is how easy it can be to create your own repeating licks – it doesn’t need to be complicated to work!
7:32 String skipping can open this lick up nicely too. Here we can skip over the B string to create a cool string skipping repeating idea which will sound great in your solos.
9:09 All these repeating licks are simply variations on the original starting lick. This what’s so cool…you’re building new licks by looking at what you can do with the starting note. With a little imagination the sky is the limit. You can create dozens or hundred of new repeating licks (and non repeating licks too). If you add the G string 7th fret back in then even more possible repeating licks emerge. How awesome is that?
Get creative, experiment and above all…have fun. See you next time!
Would you like to master pinch harmonics technique and give your solos that magic ‘pro’ touch?
Stay tuned to discover what they are,how to nail the technique and how to make them sound awesome for powerhouse rock and metal solos!
In this lesson you’ll discover
After watching this lesson, you’ll be able to master this awesome technique and get your harmonics sounding as cool as Steve Vai, Eddie Van Halen, Zakk Wilde, Billy Gibbons and many more.
How to Play Pinch Harmonics on Guitar
0:23 Check out this intro jam to hear a demo of what pinch harmonics sound like. In this guitar lesson you’ll learn what pinch harmonics are, how to get them and how to make them sound awesome. Let’s jump in!
0:30 Pinch harmonics…what are they?
If you don’t know what pinch harmonics are, well you’ve definitely heard them before! They’re what guitar players use to get that ‘squealing’ sound on a note.
0:45 Pinch Harmonic Technique
Want to know how to play pinch harmonics on electric guitar? Let’s look at the techniques you need. It sounds easy when you break it down but does take a little while to get the hang of.
The basic technique for getting pinch harmonics is striking the string with the pick and your thumb, sort of at the same time (at least that’s what it feels like). This sounds easier than it is! Don’t be frustrated if your pinch harmonics a little inconsistent to start with…with practice you’ll get those ‘squealies screaming’!
1:40 Pinch Harmonic Tips
1:45 Try picking along the length of a string playing a pinch harmonic. Notice how they come out a bit easier at some points than others. If you target these ‘sweet spots’ it can help you to learn the technique. Notice where these areas are and hit the string there when you want one! As a guideline, around the neck pickup area on your guitar is often a good spot to target.
2:45 Pinch harmonics are possible with a clean sound, but they’re much easier to get with a distorted guitar sound. Crank up the gain a little and use your bridge pickup to make them easier.
3:15 If you just use this technique then it doesn’t sound like much…but add some vibrato or a bend and they come to life. So think about how to ‘manipulate’ the harmonic – this is the secret to getting awesome sounding pinch harmonics in your licks and solos!
3:55 So there you go. You know what pinch harmonics are, how to get them, and how to use them as an awesome guitar effect in your playing.
Want to get faster and more accurate picking in your solos? Then take a look at this lesson to learn a short but super powerful alternate picking and left hand workout!
In this lesson you’ll discover:
Plus,this exercise will improve your left hand and right hand synchronisation making playing great licks and solos much easier. Have fun!
Alternate Picking Exercises – Exercise for Faster, More Accurate Picking!
Need some alternate picking exercises to supercharge your alternate picking technique, fret hand accuracy and speed? In this video I’ll show you a cool alternate picking exercise you can use to do exactly that. Let’s dive in and start boosting your alternate picking!
0:10 In this lesson you’ll learn a short alternate picking exercise for powering up your picking and fretting hand speed, accuracy and co-ordination. It’s not the most musical of exercises and you probably wouldn’t play it in a solo, but it’s a powerful workout for your alternate picking and a great warmup exercise too.
0:42 Alternate picking exercises like this can be moved around anywhere on the guitar but we’ll start on the D string at the 5th fret.
Follow the picking guidelines and fingering guidelines here for step 1 of the exercise.
1:00 Metronome practice exercise. Here’s how you can use your metronome to build up your technique with an exercise like this. The metronome is set to 66bpm and I’ll play the exercise once with a little rest in between, then repeat this process.
1:20 Alternate picking exercises like this will only work if you develop good habits as you practice them! Notice how my fret hand and picking hand are staying close to the guitar and keeping movement to a minimum. Extra movement is unnecessary and will slow you down!
1:37 Step 2 of the alternate picking exercise introduces a string crossing move. Move the 2nd note from the exercise over onto the next string. Follow the picking pattern!
2:20 Practice it with the metronome like we did with step one earlier. It’s still set to 66bpm.
2:39 Step 3 of this picking exercise moves 2 notes across onto the next string. This changes the alternate picking pattern and the fretting hand movement. Alternate picking exercises which make you pick in several different ways like this are a powerful way to boost your picking skills and fluency.
3:09 The metronome can be used as before on this step of the exercise.
3:24 The final part of the exercise moves another note onto the next string. We can build up the strength and accuracy of our fingers with alternate picking exercises which use all 4 fingers of our fretting hand like we’re doing here.
3:38 Metronome demonstration.
3:47 Let’s join up each step to create a complete alternate picking workout. Each step is played twice before moving to the next one. Keep in time with the metronome and keep the picking and fingering correct as you play it.
4:10 As you get the hang of it you can gradually increase the speed of the metronome. Keep the exercise the same but just just push your speed a little. I’ll demo it at 88bpm and then 100bpm.
4:40 Alternate picking exercises like this can be moved anywhere on the guitar neck and still work. Here I demo it in some other places.
4:50 Some players think exercises like this are boring…and they can be for sure! But it’s worth devoting a little time to them because they develop your playing technique in a very focused way and can get you results pretty fast. Also they’re a great way to warm up when you start your practice session.
Learn how to sweep pick and how to practice sweep picking plus loads of monster sweep picking tips.
Here’s a summary of what’s in the video:
0:37 Why you need to get the basics right and three super common sweeping triad shapes.
2:15 What is sweep picking? Here you’ll find a basic explanation of the technique and why you might use it. Discover the advantages of sweep picking over alternate picking when playing certain types of passages and how overcome many problems guitarists encounter when they start trying to learn how to sweep pick.
3:22 How to start sweeping in one continuous down or up pick with the plectrum. We don’t want our sweep to be several small up or down picks. It needs to be a single smooth ‘glide’ or ‘sweep stroke’ with the pick. This takes a little practice to feel natural, but once it does you’ll find the technique comes together quite quickly.
3:55 Essential picking hand guidelines for sweep picking. Your hand should be relaxed and free of tension and try to pick from the wrist rather than elbow or arm. Pick firmly enough to get a clear, solid note from the string but don’t pick too hard or you’ll get a harsh and ‘unmusica’sound.
4:30 Some guitar players like to angle the pick slightly as they sweep as they find it helps them cross the strings more easily. I don’t really do this but feel free to experiment and find the pick angle that you prefer the most!
4:46 Often with sweep picking players put a lot of emphasis on their picking hand but the fretting hand has a crucial role to play if you are to develop great sweeping technique. Your fretting hand fingers need to ‘roll on and off’ the notes as the pick passes through them. Don’t hold down a fixed or locked chord shape and sweep across it or the notes will ring together and be unclear. This will only come from slow and accurate practice.
6:14 Let’s take a look at some three string ‘sweep arpeggio shapes’ and fingerings for A minor, G major and C major.
9:10 One of the best ways to practice sweeping these shapes is to break them into two parts. Then you can focus on perfecting each half before joining them together. Use a metronome and focus on getting your sweeping really in time. Check the notes are lining up with the click of the metronome so that you know you’re getting it right!
13:40 Now we’ll join up the two parts of the sweep to play the entire shape. Watch your timing and cleanliness here – it is absolutely crucial!
14:45 How can you build up speed in your sweeping? Here I’ll show you how to using a simple practice method to help you really supercharge your sweep picking big time! Take your time with this and increase the speed of your metronome more gradually than I do here!
18:20 Here’s a complete sweep picking study or practice exercise for you to learn and use to hone your sweep picking chops! It uses only the three shapes we’ve seen so far but we’re going to move them around a bit to get F major and Bb major triads as well.
23:30 Here I demonstrate the etude at a few different tempos taking care to stay in time with the metronome at all times.
Have fun with this lesson and take your time to get the basics of the technique right. It will pay off big time!
How To Change Key of a Scale Shape on Guitar
If you want to improvise or play and make up your own guitar solos or licks then it is crucial that you can move your scale shapes around into different keys. When you can do this your guitar playing will take a massive step forward and you’ll be able to play and express your ideas more fluently than ever before on your guitar.
In all the guitar lessons I’ve done (over 17,000!) I’ve seen this basic skill hold up more players than almost anything else – the lessons I teach you in this video are essential!
Here’s a breakdown of what you learn in this video:
0:21 Why you need to be able to move your scales around into other keys to play any music – blues, country, rock, metal – anything!
0:47 Step 1 is to learn some of the notes along the low E string on your guitar. This basic step is super important and not knowing them can have a disasterous effect on your guitar playing and soloing! So here I show you the notes, complete with description and fingering guidelines.
2:20 How to use the root note in the scale pattern to figure out where to play the scale on the neck to be in the right key. Here I demonstrate it with C minor pentatonic and G minor pentatonic. Note that the scale pattern stays exactly the same – we’re just playing it at a different fret.
4:20 How to use the root note to move the A blues scale into the key of D to turn it into D blues scale.. Complete with description and fingering guidelines. This fingering is great for covering more of the guitar neck.
5:00 Watch these videos if you haven’t seen these two guitar scale shapes before.
5:10 Summary of what we’ve learned so far and how it can help your guitar playing.
5:50 How to move the major pentatonic scale around to other keys. Hee the root note is played by the little finger. I demonstrate this here by moving A major pentatonic up to the 12th fret to become E major pentatonic.
7:20 Here I show you how to move your scale shapes up above the 12th fret to get the scale up an octave.
8:05 Summary of what we’ve studied in this video lesson.
What do all the great electric guitar players have in common?
Answer:
Awesome string bending technique!
It’s a fact: nothing destroys your solos quicker than weak or out of tune bends…so it’s crucial that you get this right.
Dive in to this lesson and learn how to do it the right way and avoid all the common mistakes most guitarists make with their bending (I did it wrong for years)
Then…sit back and hear the transformation that awesome string bending technique can have on your guitar playing!
Guitar String Bending – How To Bend Strings the Right Way!
String bending is one of the most important guitar techniques that guitarists need to master. In this String Bending Workshop you’ll learn how to do it it the right way. Covers string bending hand position, bending action, bending strings in tune and tips on 3 common types of string bend you’ll see all the time.
String Bending Workshop
0:18 String bending is an essential part of most guitar styles – especially rock, metal, blues and country guitar. Hear a short demo of bending used in a few different style guitar solos here.
1:05 Correct string bending hand position. Thumb position is essential. Keep your thumb over the top of the neck as you bend. This is essential for control and stability in your bending. This will help you get your bends sounding in tune and with a big juicy tone!
2:00 Bending Fingers. Back up your bending finger with any other available fingers. This gives stability and control to your string bends and will help you execute large bends much easier.
3:01 Bending Action. Let’s examine some key points when you bend a string. Keep your thumb down and still, the guitar as still as you can and rotate your hand and wrist upwards to push the string. Try not to just flex and push up with your fingers. Using your wrist and hand will lead to much better string bending in your playing.
5:50 Bending in Tune. Getting your bends in tune is obviously essential! Play the note you are bending up to a few times to ‘plant’ the sound of it in your ear. Then grab the bend and try to hit the note accurately. Bending practice will pay off here! Be patient and monitor your tuning as you play and use bends in your solos.
7:16 String Bending Exercises- 3 Types of Bend. Let’s examine 3 common types of string bend you’ll use in your playing. Nailing these exercises will really help you get your bends sounding great when you use them in licks and solos. Remember to apply all these techniques and guidelines in your favourite licks and solos.
Good luck!
The scream of pinch harmonics is a characteristic part of modern rock and metal guitar playing!
But how can you get ’em? In this guitar lesson you’ll learn exactly how you can get sceaming harmonics from your guitar – just like you hear in the playing of Randy Rhoads, Steve Vai, Slash, George Lynch…in fact nearly every major rock guitar player heard today.
Want to nail pinch harmonics? In this guitar lesson you’ll learn how you can master this essential tool for rock, blues or metal guitar. Discover correct technique, tips for getting them whenever you want, awesome harmonics licks you can use use in your solos and exercises to get you on the road to pinch harmonics mastery!
Here’s a breakdown of what you’ll learn in this lesson:
1:02 What are pinch harmonics? Hear what they sound like and learn how and why you might want to use them in your solos.
1:40 How you can consistently get them in your playing (so that they sound big, fat and punchy!). The technique might sound simple, but it does take a little practice to master. You’ll probably find them a bit ‘hit and miss’ to start with but by following these guidelines you’ll soon be ripping them out whenever you want.
2:40 Technical tips for effortless ‘squealers’ whenever you want them! Where you pick the string and how you’re holding the pick can make a big difference. We cover this and more in this section of the lesson.
7:12 Adding vibrato to harmonics (here’s the secret to making them sound truly awesome…). It’s when you ‘shake’ pinch harmonics that they really start to come to life. This is what gives them that lyrical ‘scream’ that we hear in the playing of guitarists like Zakk Wylde. Check him out, he’s possibly got the most aggressive pinch harmonics out of any player out there!
8:00 Bending strings with pinch harmonics (for high energy rock and metal licks which will really turn heads!) Adding a harmonic to a string bend adds a whole new sound to your ‘bending toolbox’. Check out some tips and techniques here.
9:20 Three licks for pinch harmonic practice and to use in your guitar solos. These licks are coming from the A minor pentatonic scale and give you some cool ways to integrate harmonics into your solos. Try them out over a backing track in A minor to see how you can get them to work.
12:05 How to use picking hand muting to make your harmonics stand out even more (all the legends do this simple trick…)
I’m not gonna lie to you…lots of people have said I ramble too much at the start of this lesson. It’s true! It was my first ever video and I was a little nervous! You can skip ahead if you like and get to the meat of the lesson. Either way check it out because these speed building and metronome practice techniques will massively increase your guitar playing speed if you use them. Have fun!
Play Guitar Faster – Speeding Up Your Guitar Playing – Conquer fast guitar licks, speed up your guitar playing, improve your finger independence, fretboard hand strength, stretching and soloing ideas!
2:45 – 5 super important principles you need to know about increasing the speed of your guitar playing and how to practice building your speed. Starting slow, using a metronome, working on problem areas, making up your own guitar exercises and licks and more. Doing all of this will hep you to play guitar faster.
7:20 – 3 step action plan for building your speed and learning to play any lick or exercise faster. Use this in your practice routine and you’ll see great progress! You’ll probably see an increase in your playing speed in just a couple of minutes. Find your cruising speed – this is the speed at which you can comfortably loop the lick or exercise around. Then bump up the metronome speed and practice playing the lick once at this speed. Then play it twice, and when you’re ready play it 3 times. When you’ve got it try looping it round and round at the new speed. A good target speed for sextuplet licks is 120 bpm (beats per minute) on your metronome.
8:19 The minor pentatonic scale shape and Lick 1. This is in the style of Randy Rhoads, but it’s a very commonly played lick. It’s straightforward and easy to slip into your playing. Here you’ll see a demonstration of how to use the metronome to effectively increase your playing speed.
14:58 How to make sure your playing is totally in time. This is a super important guitar tip so check it out!
15:25 Lick 2 is a blues rock lick in the style of Slash, Zakk Wylde and many other great guitarists. How to use the metronome and 3 step action plan to increase the speed of this lick.
18:10 – Lick 3 is a great left hand hammer on and pull off exercise in the style of guitar players like Steve Vai, Joe Satriani, Randy Rhoads and most other modern rock guitar legends. The A minor lick is in 16th notes and will help you improve your finger independence, fretting hand stretching ability, and little finger strength and accuracy. Then see how to break it up into chunks, work on each section with the metronome to build your speed, before putting it back together to get a great guitar workout. A great target speed for 16th note type licksis 160 bpm on your metronome. Give it a shot!
25:20 – Lick 4 is a great speed guitar lick using the A blues scale. It’s an awesome left hand hammer on and pull off exercise which will work great in a guitar solo. Break it up into chunks and perfect each part of the lick before adding them together for a left hand blues scale shredfest!
28:20 – How to integrate licks and exercises into your playing so you can use what you learn from your practice time.