Rock
Repeating Guitar Licks: Monster Repeating Licks for Rock and metal Guitar!
Learn how to easily create dozens (even hundreds) of awesome sounding repeating guitar licks to use for high energy solos. Repeating guitar licks are an easy and effective way to create exciting, high energy guitar solos and we hear them used by all the great rock and metal players like Slash, Vai, Page, Rhoads – pretty much all of ’em use some repeating licks in their solos.
But how can you come up with your own awesome repeating licks?
Well stay tuned because in this video I’ll show you an easy way you can create ear catching repeating rock licks from our old friend the blues scale!
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Repeating Guitar Licks – How To Make Your Own Awesome Repeating Rock Licks!
0:15 Repeating licks demo. Hear me solo using some repeating licks similar to the ones I’m going to show you in this guitar lesson.
1:00 In this lesson I’m going to show you how to take one simple repeating lick and create lots of simple and logical variations on it. This is a great way to build out a guitar style because you’ll see how you can easily start to make up new licks and ideas simply by reworking things you already play and know…cool!
1:15 Here’s how you can play the A blues scale pattern down at the 5th fret. Also I show you how to modify it slightly to give a ‘symmetrical blues scale’ shape. This is great for repeating licks because the fingering is the same on every string making it easy to adapt a lick to other string sets.
3:00 Repeating Lick 1. Here I’m going to show you a simple repeating lick. This will be the starting point for the other repeating licks we’ll create during this lesson.
3:54 This repeating lick is cool…but how can we change it to create a new repeating lick. The symmetrical scale pattern we’re using makes this pretty easy. In this example I’ve just moved it onto the B and high E string.
4:38 String skipping can be a cool way to ‘open up’ a repeating lick and create a new idea. Here we skip the B string to get a dark, bluesy repeating lick. Watch the string skipping. It might test out your fretting hand!
5:45 Extending the original repeating lick is a cool way to create a new idea. We’re going to extend it into a lick that lasts for 4 beats instead of 1 beat. This high energy repeating lick is heard in the playing of guys like Zakk Wylde.
7:03 This repeating lick can easily be transferred to the top two strings like we did before. This is how easy it can be to create your own repeating licks – it doesn’t need to be complicated to work!
7:32 String skipping can open this lick up nicely too. Here we can skip over the B string to create a cool string skipping repeating idea which will sound great in your solos.
9:09 All these repeating licks are simply variations on the original starting lick. This what’s so cool…you’re building new licks by looking at what you can do with the starting note. With a little imagination the sky is the limit. You can create dozens or hundred of new repeating licks (and non repeating licks too). If you add the G string 7th fret back in then even more possible repeating licks emerge. How awesome is that?
Get creative, experiment and above all…have fun. See you next time!
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Guitar Soloing: The Secret of a Great Start To Your Solo!
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Get a powerful start to your rock guitar soloing every time with these 3 great tips. A powerful start to your solo will grab the listeners attention and make them pay attention to what you’re playing, a weak start to your guitar solo and they might not even listen at all.
Use these 3 tips for your guitar soloing which will make people listen and have more impact every time!
Guitar Soloing – 3 Tips for a Great Start to Your Solo!
Here’s what you learn in this guitar lesson:
00:50 A bad start to your guitar solo can spoil it from the start. Here I demo how lots of players start their solos. It doesn’t really grab the listeners attention and make them want to hear the rest.
1:21 When we play a guitar solo we need to ‘set it up’ and announce to the listener that a solo is coming. If we just stumble into our first lick then we’re not doing this. How can we do it?
1:39 Guitar Soloing Tip 1 – ‘Dig In’
We need to attack the notes and play them like we mean them! Commit to the notes you’re playing and deliver them with confidence and conviction. This alone will make a huge difference to your solos and how they start. Techniques like palm muting, and vibrato as well as decorative touches like sliding into your first note can help make your first phrase much more compelling.
2:24 Guitar Soloing Tip 2 – ‘Bending’
Starting your solo with a bend is an easy way to get a better start because bending can be one of the coolest sounds we can make on guitar. I’m soloing over a backing track in the key of A minor and I’m using A blues scale to solo with. Here I show you some common and powerful bending moves from this scale.
4:06 Guitar Soloing Tip 3 – ‘Pick Up Into Your Solo’
‘Picking up’ into your solo is a very powerful soloing tool. Instead of just ‘playing’ your first note you can ‘lead into’ it with a simple phrase that sets up or introduces your solo. Hear me demo this soloing tip this several times over the backing track.
Using a ‘pick up’ is something we hear in all the great players solos. It’s a simple device but it really works.
5:45 Remember there are no ‘rules’ to playing a great solo so don’t follow these guidelines rigidly! Just experiment with each one and see how you can use it. You’ll quickly hear a difference to the start of your solos if you’re not using these devices already.
Have fun and see you again next time!
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Double Stops Moves: Essential Technique for Killer Rock Licks!
Learn some killer rock double stops moves and slip them into your solos. Create new licks with this awesome technique like the Rock guitar masters, such as Slash, Angus Young, Zakk Wylde and others!
Today I’ll show you:
- Double Stop lick 1. Using the common double stop we hear on the top 2 strings. It’s using a common bend and double stop combination before finishing with a little blues scale run.
- Double Stop Lick 2. This one is one of Angus Young’s favorites. You can find it in a lot of his solos. You’ll notice that it’s using a note which isn’t in the blues scale shape but normally works great when we add it in.
- Double Stop Lick 3. This one is very used by Slash, Zakk Wylde and a lot of other great guitar players. Watch the fingering on this and use whichever option seems best to you.
- Double Stop Lick 4. It takes a little practice and strength to get this bend happening but it’s worth the effort. Notice how I’m re-picking the bend whilst holding it up and also damping it off to stop it ringing out too much.
With these double stop moves, you can experiment and create some new cool licks. They will help you to power up your solos and make them sound cooler!
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Create killer rock guitar licks with these essential double stops moves! Perfect for high energy rock and metal solos. This double stops guitar lesson will show you exactly how to do this using double stops from Slash, Angus Young, Michael Schenker, Zakk Wylde and others!
Double Stops moves Guitar Lesson for Killer Rock Guitar Licks!
Here’s what you learn in this guitar lesson:
00:07 Hear me jamming using some of the double stops I’ll show you in this lessons.
0:35 Double stops – what are they? A double stop is simply two notes played together on the guitar, kind of like a ‘mini chord’. They give a chordal sound to your rock solos and break up the sound of ‘single note’ licks and runs to create cool contrast.
1:00 Let’s look at a set of essential double stops and a sample lick from each one to give you some ideas for double stop licks of your own.
1:15 Here’s a reminder of how to play the A blues scales down at the 5th fret.
1:32 Double stop lick 1. Using the common double stop we hear on the top 2 strings. It’s using a common bend and double stop combination before finishing with a little blues scale run. A favourite of most of the great players from Chuck Berry to Vai!
3:48 Double Stop Lick 2 – This is a favourite of Angus Young! It’s using a note which isn’t in the blues scale shape but normally works great when we add it in. Try throwing this into your solos…it’s got a wicked punchy sound to it.
5:55 Double Stop Lick 3. Here’s a cool double stop bend which will be an awesome addition to your lick library. Watch the fingering on this and use whichever option seems best to you. Once you get used to using this double stop try digging in to create a gritty, aggressive sound to it.
6:48 Double Stop Lick 4. Check out this common double stop bend. It takes a little practice and strength to get this bend happening but it’s worth the effort. Notice how I’m re-picking the bend whilst holding it up and also damping it off to stop it ringing out too much.
9:20 Double Stop Lesson Tips
Learning these licks is a good start but make sure you take each double stop out and experiment with jamming out some of your own ideas. This is essential! Also notice where the double stops are found in the scale so you can easily find them when you move the scale around to different keys.
Have fun with ’em and see you next time!
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Classic Jimi Hendrix Style Lick: ‘Watchtower’
Jimi Hendrix Style Lick: Watchtower
Learn a classic Jimi Hendrix style guitar lick similar to what Hendrix plays at the end of his classic ‘All Along the Watchtower’ solo. This lick uses many classic Jimi Hendrix style moves and is a cool addition to your guitar lick bag. So let’s jump in and check out the this Jimi Hendrix lick!
0:15 Here’s the Jimi Hendrix lick you’ll learn in this guitar lesson.
0:29 The lick comes from the C# blues scale played up around the 9th fret. Here’s the scale pattern Jimi Hendrix is using for this particular lick.
0:45 Jimi Hendrix used to tune his guitar down one fret remember! So if you hear this lick played on the recording to ‘All Along the Watchtower’ it’ll sound 1 fret lower than it does here (because I’m in standard tuning!)
0:55 Jimi Hendrix Lick chunk 1. Here’s how to play the first part of the lick.
1:30 Jimi Hendrix lick chunk 2. Here’s how to play the second part of this guitar lick. Notice all the cool bends…take ’em and make sure you’re using these in your own playing.
2:09 Jimi Hendrix lick chunk 3. Here’s how to play the next part of this guitar lick. Notice the cool blues scale runs here. Take these and experiment with making up your own guitar licks using these as a starting point!
2:33 Here’s the complete lick played slowly.
2:43 Here it is played over the backing track.
Experiment with this lick to see how you can make it work in your playing and remember the most important thing is to create variations of your own.
Have fun!
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Learn This Classic Jimi Hendrix Double Stop Lick!
Jimi Hendrix Style Double Stop Lick: ‘Double Stopper’
Lesson 2 in my Jimi Hendrix guitar licks series. This is similar to what Jimi Hendrix plays at the start of his classic ‘All Along the Watchtower’ solo. This lick uses trademark Jimi Hendrix double stops and is a cool addition to your guitar lick bag. So let’s jump in and check out the this Jimi Hendrix lick!
0:15 Here’s the Jimi Hendrix lick you’ll learn in this guitar lesson.
0:29 The lick comes from the C# blues scale played up around the 9th fret. Here’s the scale pattern Jimi Hendrix is using for this particular lick.
0:45 Jimi Hendrix used to tune his guitar down one fret remember! So if you hear this lick played on the recording to ‘All Along the Watchtower’ it’ll sound 1 fret lower than it does here (because I’m in standard tuning!)
0:59 Jimi Hendrix Lick chunk 1. Here’s how to play the first set of double stops at the start of the lick.
1:52 Jimi Hendrix lick chunk 2. Here’s how to play the second part of this guitar lick. Notice all the cool double stop bends…take ’em and make sure you’re using these in your own playing.
2:09 Jimi Hendrix lick chunk 3. Here’s how to play the next part of this guitar lick. More double stops! Take these and experiment with making up your own guitar licks using these as a starting point
2:28 Here’s the complete lick played slowly.
2:51 Here’s the Jimi Hendrix lick played over the backing track now.
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How to Play Pinch Harmonics on Guitar
Would you like to master pinch harmonics technique and give your solos that magic ‘pro’ touch?
Stay tuned to discover what they are,how to nail the technique and how to make them sound awesome for powerhouse rock and metal solos!
In this lesson you’ll discover
- What are pinch harmonics?
- Secrets for where to hit the string to get them sounding full, fat and awesome!
- Powerful exercises to get you nailing them every time!
- It’s what you do with them that counts! Discover awesome tips to bring them to life (and get them sounding like your heroes.
After watching this lesson, you’ll be able to master this awesome technique and get your harmonics sounding as cool as Steve Vai, Eddie Van Halen, Zakk Wilde, Billy Gibbons and many more.
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How to Play Pinch Harmonics on Guitar
0:23 Check out this intro jam to hear a demo of what pinch harmonics sound like. In this guitar lesson you’ll learn what pinch harmonics are, how to get them and how to make them sound awesome. Let’s jump in!
0:30 Pinch harmonics…what are they?
If you don’t know what pinch harmonics are, well you’ve definitely heard them before! They’re what guitar players use to get that ‘squealing’ sound on a note.
0:45 Pinch Harmonic Technique
Want to know how to play pinch harmonics on electric guitar? Let’s look at the techniques you need. It sounds easy when you break it down but does take a little while to get the hang of.
The basic technique for getting pinch harmonics is striking the string with the pick and your thumb, sort of at the same time (at least that’s what it feels like). This sounds easier than it is! Don’t be frustrated if your pinch harmonics a little inconsistent to start with…with practice you’ll get those ‘squealies screaming’!
1:40 Pinch Harmonic Tips
1:45 Try picking along the length of a string playing a pinch harmonic. Notice how they come out a bit easier at some points than others. If you target these ‘sweet spots’ it can help you to learn the technique. Notice where these areas are and hit the string there when you want one! As a guideline, around the neck pickup area on your guitar is often a good spot to target.
2:45 Pinch harmonics are possible with a clean sound, but they’re much easier to get with a distorted guitar sound. Crank up the gain a little and use your bridge pickup to make them easier.
3:15 If you just use this technique then it doesn’t sound like much…but add some vibrato or a bend and they come to life. So think about how to ‘manipulate’ the harmonic – this is the secret to getting awesome sounding pinch harmonics in your licks and solos!
3:55 So there you go. You know what pinch harmonics are, how to get them, and how to use them as an awesome guitar effect in your playing.
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Use These Alternate Picking Exercises for Faster, More Accurate Picking!
Want to get faster and more accurate picking in your solos? Then take a look at this lesson to learn a short but super powerful alternate picking and left hand workout!
In this lesson you’ll discover:
- How to use this short workout to develop an accurate, fast and fluent alternate picking technique
- How to move it all around the guitar neck so you can nail your picking at every fret and on every string!
- How to avoid some of the common things that hold guitarists up and stop them from getting great picking chops!
Plus,this exercise will improve your left hand and right hand synchronisation making playing great licks and solos much easier. Have fun!
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Alternate Picking Exercises – Exercise for Faster, More Accurate Picking!
Need some alternate picking exercises to supercharge your alternate picking technique, fret hand accuracy and speed? In this video I’ll show you a cool alternate picking exercise you can use to do exactly that. Let’s dive in and start boosting your alternate picking!
0:10 In this lesson you’ll learn a short alternate picking exercise for powering up your picking and fretting hand speed, accuracy and co-ordination. It’s not the most musical of exercises and you probably wouldn’t play it in a solo, but it’s a powerful workout for your alternate picking and a great warmup exercise too.
0:42 Alternate picking exercises like this can be moved around anywhere on the guitar but we’ll start on the D string at the 5th fret.
Follow the picking guidelines and fingering guidelines here for step 1 of the exercise.
1:00 Metronome practice exercise. Here’s how you can use your metronome to build up your technique with an exercise like this. The metronome is set to 66bpm and I’ll play the exercise once with a little rest in between, then repeat this process.
1:20 Alternate picking exercises like this will only work if you develop good habits as you practice them! Notice how my fret hand and picking hand are staying close to the guitar and keeping movement to a minimum. Extra movement is unnecessary and will slow you down!
1:37 Step 2 of the alternate picking exercise introduces a string crossing move. Move the 2nd note from the exercise over onto the next string. Follow the picking pattern!
2:20 Practice it with the metronome like we did with step one earlier. It’s still set to 66bpm.
2:39 Step 3 of this picking exercise moves 2 notes across onto the next string. This changes the alternate picking pattern and the fretting hand movement. Alternate picking exercises which make you pick in several different ways like this are a powerful way to boost your picking skills and fluency.
3:09 The metronome can be used as before on this step of the exercise.
3:24 The final part of the exercise moves another note onto the next string. We can build up the strength and accuracy of our fingers with alternate picking exercises which use all 4 fingers of our fretting hand like we’re doing here.
3:38 Metronome demonstration.
3:47 Let’s join up each step to create a complete alternate picking workout. Each step is played twice before moving to the next one. Keep in time with the metronome and keep the picking and fingering correct as you play it.
4:10 As you get the hang of it you can gradually increase the speed of the metronome. Keep the exercise the same but just just push your speed a little. I’ll demo it at 88bpm and then 100bpm.
4:40 Alternate picking exercises like this can be moved anywhere on the guitar neck and still work. Here I demo it in some other places.
4:50 Some players think exercises like this are boring…and they can be for sure! But it’s worth devoting a little time to them because they develop your playing technique in a very focused way and can get you results pretty fast. Also they’re a great way to warm up when you start your practice session.
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Blues Rock Licks; Unison Bends for Killer Licks
Whether it’s Slash, Schenker, Hammett, Rhoads, Hendrix, Page, Satch or any other great rock player…you can bet they’re using the sound of unison bends in their licks and solos!
But what are unison bends, how can you nail them and how can you use them to play killer solos and licks of your own?
In this lesson you’ll learn the secrets of playing monster unison bends as well as how to use them for powerful and high impact solos.
Discover
- The 2 most important unison bends all the great players use!
- The common mistakes guitar players make (leading to unison bending disasters!)
- How a simple tweak can double the number of unison bending licks you know!
- Plus more…
Once you’ve studied this lesson you’ll be on the road to bending like a boss!
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Blues Rock Licks – Unison Bends for Killer Licks!
Lesson breakdown:
0:09 Blues Rock Licks demo with unison bends. Check out this intro jam to hear the kind of blues rock licks you can play with the unison bends you’re going to learn in this guitar lesson.
0:31 Unison bends…what are they?
If you don’t know what unison bends are, well you’ve definitely heard them before! It’s when we play the same note twice in a row, but using a bend to sound one of them. Even though the note is the same…the sound of the bend creates a cool effect. Here you’ll learn one of the most common unison bends there is. It’s show in the key of C# minor.
1:40 Unison Bending Lick 2
Here we see another of the common bends you hear in all the blues rock licks of your favorite players. You’ll also learn an essential guitar technique for controlling your string bends.
2:39 Technique Tips for Awesome Unison Bends
How good your blues rock licks sound is in large part down to how good your string bending technique is. Here you’ll learn some guitar technique tips for great unison bends.
3:40 Using Unison Bending to Create Blues Rock Licks and Solos.
Here we’ll combine some of the unison bending moves to create some blues rock licks you can use in your solos. It’s not hard to come up with dozens of licks just by using a little imagination!
4:48 Unison Bends and Double Stop Bends
Play both notes at the same time and you get a double stop unison bending. This is a favorite move of players like Slash, Hendrix, Wylde…pretty much everyone!
Check out the essential technique tips for powerful double stop bends.
5:34 Blues rock licks can easily be created simply by combining some of these bends. Follow the picking tips and guidelines shown here to make them easier to play.
6:27 Now you can experiment with using these bends to create a load of blues rock licks of your own. Try anything you can think of and keep a note of what works best. Have fun!
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Nail Sweep Picking Technique
with this awesome lesson & workout
Learn how to sweep pick and how to practice sweep picking plus loads of monster sweep picking tips.
Here’s a summary of what’s in the video:
0:37 Why you need to get the basics right and three super common sweeping triad shapes.
2:15 What is sweep picking? Here you’ll find a basic explanation of the technique and why you might use it. Discover the advantages of sweep picking over alternate picking when playing certain types of passages and how overcome many problems guitarists encounter when they start trying to learn how to sweep pick.
3:22 How to start sweeping in one continuous down or up pick with the plectrum. We don’t want our sweep to be several small up or down picks. It needs to be a single smooth ‘glide’ or ‘sweep stroke’ with the pick. This takes a little practice to feel natural, but once it does you’ll find the technique comes together quite quickly.
3:55 Essential picking hand guidelines for sweep picking. Your hand should be relaxed and free of tension and try to pick from the wrist rather than elbow or arm. Pick firmly enough to get a clear, solid note from the string but don’t pick too hard or you’ll get a harsh and ‘unmusica’sound.
4:30 Some guitar players like to angle the pick slightly as they sweep as they find it helps them cross the strings more easily. I don’t really do this but feel free to experiment and find the pick angle that you prefer the most!
4:46 Often with sweep picking players put a lot of emphasis on their picking hand but the fretting hand has a crucial role to play if you are to develop great sweeping technique. Your fretting hand fingers need to ‘roll on and off’ the notes as the pick passes through them. Don’t hold down a fixed or locked chord shape and sweep across it or the notes will ring together and be unclear. This will only come from slow and accurate practice.
6:14 Let’s take a look at some three string ‘sweep arpeggio shapes’ and fingerings for A minor, G major and C major.
9:10 One of the best ways to practice sweeping these shapes is to break them into two parts. Then you can focus on perfecting each half before joining them together. Use a metronome and focus on getting your sweeping really in time. Check the notes are lining up with the click of the metronome so that you know you’re getting it right!
13:40 Now we’ll join up the two parts of the sweep to play the entire shape. Watch your timing and cleanliness here – it is absolutely crucial!
14:45 How can you build up speed in your sweeping? Here I’ll show you how to using a simple practice method to help you really supercharge your sweep picking big time! Take your time with this and increase the speed of your metronome more gradually than I do here!
18:20 Here’s a complete sweep picking study or practice exercise for you to learn and use to hone your sweep picking chops! It uses only the three shapes we’ve seen so far but we’re going to move them around a bit to get F major and Bb major triads as well.
23:30 Here I demonstrate the etude at a few different tempos taking care to stay in time with the metronome at all times.
Have fun with this lesson and take your time to get the basics of the technique right. It will pay off big time!
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Mixolydian Licks
Start Getting That Tasty Mixolydian Sound In Your Solos
But how can you start it rip out cool, tasty mixolydian ideas in your solos (instead of just playing the scale pattern)?
These licks will help! Discover essential bends and note groupings which will quickly transform your mixolydian soloing and set you on the road to ‘mixolydian soloing mastery’!
The mixolydian scale or mixolydian mode is used extensively in blues, rock, jazz, funk and pop music. Knowing the mixolydian scale pattern is a good start – but you also need to build a vocabulary or library of cool sounding mixolydian licks and ideas to help you learn how to use it in your guitar solos and improvisations.
That’s what this guitar lesson is all about! You’ll learn 3 great mixolydian licks to kick start your mixolydian soloing TODAY!
Here’s a breakdown of what you learn in this video:
0:15 Hear me demonstrate guitar soloing using the mixolydian mode. Notice how the mixolydian scale has a bright but bluesy sound. Here I am soloing with E mixolydian over an E7 chord.
0:35 Lots of guitar players get very confused by the word ‘mode’. But simply think of it as another name for a scale. So the mixolydian mode is simply a name for a particular type of scale. Watch my lesson covering the theory behind the scale and when we use it by clicking here: https://youtu.be/RCG5iUMd6VU
1:00 How to play the E mixolydian mode or scale on guitar. Here you’ll learn a mixolydian scale pattern and an E7 arpeggio shape you can use. Fingerings and description included. These are the same patterns I covered in the Mixolydian Mode Lesson but moved to the key of E. If you’re not sure how to change the key of a scale watch here: https://youtu.be/Ft_uuN3n0M0
3:16 Mixolydian Lick 1 – A cool bluesy lick using a few cool bends. Remember to use your picking hand to control the bends by cutting them off before you let them down. Also try to learn which notes in the scale shape are good notes to bend – this will help you learn to effectively use the scale pattern in a musical way.
7:20 Mixolydian Lick 2 – Another cool phrase using a few tasty bending moves. Experiment with these string bending ideas in your own soloing.
11:33 Mixolydian Lick 3 – This lick makes extensive use of the notes from the arpeggio shape. This is the backbone of the scale so pay special attention to these notes in the scale pattern – very important!
14:45 What to do with these licks. Learn the licks, find a cool E7 backing track and practice using them over it. The next step is to take your favourite parts of these licks and use them as a starting point for your own ideas. Experimentation is the key to becoming a great improviser so make sure you do a lot of it!
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