A guitar warm up routine to get you warmed up and ready to play in minutes. You don’t want to spend half of your guitar practice routine getting warmed up…you want to be playing! Following this 3-5 minute warm up routine for guitar will get your fingers looser, your hands relaxed…and over time will also help build faster and stronger guitar fingers, finger independence and speed and fluency too!
Warming up is an important part of your guitar practice, but how can you do it? There are lots of ways, but I like to use the 5 short warm exercises here. They use bends, trills, down picks, up picks and alternate picking to get both your fretting hand and picking hand ready to play. To make them easier to remember I decided to put them together into a short warm up routine to use at the start of all my guitar practice sessions.
Remember the goal is to get warmed up: these exercises are not about playing fast! Do them slowly and accurately in a relaxed fashion – this is important! Tension will not help you get warmed up. You can use a metronome if you like, but it’s not compulsory as long as you keep a controlled, solid time feel it’s fine.
So good luck with my guitar warm up routine! I find it works for me, hope it works for you too.
Playing a guitar solo on a ballad is your chance to show the expressive and emotional side of your guitar playing chops! But there are challenges with playing a solo in this style. How can you play a more melodic guitar solo? How should you use phrasing and space? Are there any tricks the guitar gods use when playing a guitar solo on a ballad and can you use them too? And can you learn how to play an emotional solo which sounds epic, or is it an ability you either have or you don’t!?
Stay tuned, because I think you can learn to play a killer solo on a ballad! And in this guitar lesson, I’ll point you towards 5 powerful soloing tips which are based on what you hear in the playing of ‘power ballad’ masters like David Gilmour, Jeff Beck, Steve Vai, Slash and other great players. Follow these tips and explore and practice them and you will hear a difference when you step up to play a solo…and over time and with practice you can become an expressive and emotional guitar solo master!
Legato licks can sound awesome in your rock solos and in this guitar lesson I’ll show you 3 legato lines for rock guitar you don’t want to be without. These legato licks make a great legato practice routine or legato workout too if you want to improve your legato technique and your finger strength and accuracy. And the sliding blues scale shape I show you in this lesson really lends itself to playing legato, meaning with a little practice you can soon be creating legato licks and runs of your own.
After looking at the sliding A blues scale shape used for the lesson it’s time for the first legato lick. It’s ascending the scale pattern using a repeating legato pattern. Break it up into chunks to make it easier to learn and build your legato chops bit by bit.
The second legato lick is the kind of idea you might hear Paul Gilbert play. It’s a repeating blues scale fragment which is a useful addition for high energy rock solos.
The third legato lick descends the scale with a legato flurry moving down in octaves.
Remember to build these up to speed gradually and get the timing solid, it’s easy to lose it with legato licks like these and our fingers can start to run away with us! Also practice using them in your playing so that legato becomes a part of your guitar style.
Put the heavy into your metal riffs with the tritone or ‘devils interval’! It’s been the secret weapon of heavy metal bands like Black Sabbath, Slayer and Metallica for years, now you can find it and start to use it to create killer riffs of your own. So get ready to learn all about the devils interval or tritone and how you can instantly use it to create crushing riffs like the worlds greatest metal bands.
So what is a tritone? It’s the distance of 3 tones between two notes. Of course what really matters is what it sounds like, and the good news is that it sounds dark and heavy, making it perfect for those doom-laden metal riffs!
Now we know what a tritone is we can look at finding power chords whose roots are a tritone apart. This is where the magic starts to happen! Hear me demo the sound in the lesson…instant Black Sabbath!
The theory behind this is pretty simple, but some example metal riffs using the tritone could be helpful. So see me demonstrate and break down 3 example riffs using power chords and pedal tones. These will help you see some of the possibilities and give you some ideas for killer riffs of your own.
Guitar practice time? Here are 5 tools which you’ll need to help you get the most from your session and see great results every time you practice your guitar. Just deciding to ‘practice guitar’ won’t get you where you want to be unless you’re doing it the right way! The 5 guitar practice tools I share in this video will help you stay on track, remember what you’ve learned, develop a good practice routine , manage your practice time more efficiently and ultimately make you a better guitar player!
Having these 5 practice tools in your practice room will help you get off to a flying start with your practice session, so keep them close by. Let’s look at them one by one:
1) Timer to help you break up your session and cover all the areas you want to practice. A small digital egg timer is perfect, or you can use the stopwatch on your phone
2) Blank tab paper to keep a record of any cool ideas you discover. We can learn a lot from ourselves when we do our guitar practice…so note down what you find out so you don’t lose it!
Grab your FREE blank tab book here (you don’t even need to submit an email address!). Print it off and you’re sorted!
3) Metronome. Great for building speed, keeping a consistent rhythm and staying focused on an exercise. Wind up or digital great…or online! Just make sure it’s loud enough.
4) Video camera in your phone. Record yourself to listen back for feedback and to document the progress over your weeks and months of guitar practice sessions. Great practice tool!
5) Backing tracks and drum loops. Unless you have a band on standby for every time you feel like jamming (I’m guessing you haven’t) backing tracks and drum loops are amazing for putting what you are practicing into a more real-life situation in the practice room.
Hope these guitar practice tips help you out. Leave a comment below the video if you have any cool practice tips or practice tips you want to share. See you next time! James
Power Chords: Learn the power chord shapes for guitar you need to play rock and metal with this simple memory/learning technique. Learning and remembering the power chords you need on guitar can be tricky and take time, but I’ll show you a simple method you can use to nail them fast and remember and find them when you need them. Good news huh?
Power chords are an important part of any guitarists chord library. Obviously, they are used in rock and metal guitar, but you’ll also hear them in punk, country, pop, funk and other common guitar styles. So, chances are that you need to know the power chords in this lesson.
You’ll learn four common power chords in this tutorial: starting on the E, A, D and G strings. We’ll group them together into ‘octaves’ to make them easy to learn and remember. I’ll also give you tips on how to combine them and layer them to get some cool guitar sounds happening.
So guitar player, strap in and prepare to learn the most important power chords you need to know!
Vibrato can sound awesome on string bends and it’s a sound we hear all the killer rock and blues guitar players use in their solos!
But how can you do it without the bend just, er…fizzling out completely when you vibrato it?
In this lesson I’ll show you
So dive in and find out how this technique can literally transform the sound of your licks and solos!
Bending Vibrato Guitar Lesson – How Do I Add Vibrato To String Bends?
0:23 Hear a demo of what vibrato sounds like with string bends. Notice how it makes bends so much more expressive and energetic!
0:48 Bending Technique and hand Position
If you’re getting a poor sounding string bend to start with…then no amount of vibrato will get it sounding good! Here we look at some key pointers for solid bending technique. I suggest putting your thumb firmly over the top of the neck when you bend and make sure you use the next door fingers to help push the string. This makes it easier to move it as well as providing much needed stability and strength.
1:41 Adding Vibrato to a Bend.
To add vibrato to a bend you basically let the bend down a fraction then bend it back up to pitch. This takes a little control to get sounding good! Only let the string down a very small amount before bending it back up again.
2:05 Vibrato and Bending (Tips for Success!)
So that’s the mechanics of how it’s done. Now let’s look at some crucial tips you need to know about to get your vibrato on your bends sounding good.
2:15 Vibrato Tip 1- Make your vibrato sound rhythmic.
Give your vibrato a rhythmic ‘pulse’ so it sounds musical, controlled and polished.
2:45 Vibrato Tip 2 – Bend the String Back to Pitch
Out of tune vibrato is not good! After you let the bend down make sure you bend it all the way back up again. If it’s ‘in between’ then it’ll sound like an out of tune bend…not good.
3:14 Vibrato Tip 3 – Even ‘Let Downs’
Try to let the string bend down the same amount each time. This will make the tone and pitch of your bending vibrato consistent and smooth. If you’re doing this and making your vibrato rhythmic at the same time then you’re on your way to getting great vibrato and string bending technique.
3:50 Vibrato Tip 4 – ‘Pin’ the String
As you bend and vibrato you need to keep pressing the string ‘into’ the fingerboard of your guitar. If you release the pressure here then you’ll lose the sound and note. So it’s essential to keep a strong grip on the string even though you’re pushing it up and down.
4:40 Bending Vibrato Practice Exercise
One of the best ways to practice your bending vibrato is to take a common scale like the minor pentatonic and practice adding vibrato to the most often used bends from the scale. I demo this using the A minor pentatonic scale.
Learn correct fingerstyle hand position, which fingers to use for fingerpicking plus tips and hacks which will get you fingerpicking straight away. I’ll also teach you two short fingerstyle pieces using simple chord shapes which you can use to build fingerstyle technique and fingerpicking mastery!
Fingerpicking is a really cool and useful guitar technique which most great guitar players use sometimes- even if they’re not really known as acoustic guitar or fingerstyle guitarists. It’s a great way to add colour and texture to a song and just has a different sound and attack to playing with a pick or strumming.
1:58 Basic fingerstyle technique involves using the fingers on your right hand (if you play right handed) to pick or pluck the strings on the guitar. Normally the thumb will pick any notes on the low E,A or D string. The 1st or index finger plays the G string, the 2nd or middle finger plays the B string and the 3rd or ring finger plays the high E string.
3:05 It is really important to be consistent in your fingerpicking technique. Use the method above all the time to start with and check you are not deviating from it – at least for now. Being consistent will pay off. You’ll make less mistakes, it will be easier and your fingerpicking will progress much faster than if you are not consistent in your approach.
3:55 Follow these fingerpicking guidelines to avoid slowing down your progress.
4:15 Correct picking hand position for finger picking guitar. Keep your hand close to the strings with your thumb pointing along the length of the string. Each finger should sit right by the string it is going to be picking. Check your hand is not too far away from the strings – this will hold you up!
5:20 Guidelines for finger picking action. Don’t let your fingers snatch at the strings. Just pluck them with a firm but smooth and controlled movement
5:55 Make sure your finger picking is rhythmic, in time and with an even attack across all the strings. This is essential for developing a controlled and musical fingerstyle technique.
8:14 Here’s the first finger picking study demonstrated for you. This is an easy piece to start finger picking with. It uses 3 fingerpicking patterns and a G chord, Cadd9 chord, a D chord and an Em7 chord.
10:15 How to play G, Cadd9, D and Em7 chord shapes used.
12:40 Learning the picking patterns used on the G, C, D and Em7chord shapes and connecting up the sections of the fingerpicking piece.
18:09 Demonstration of the whole finger picking practice piece.
19:34 Awesome practice tip for improving new finger picking patterns and getting them nailed! This practice technique really works.
21:04 More advanced patterns you can use on G, Caddy9, D and Em7 chords. Put these together to play the more advanced fingerpicking example piece.
25:58 Demonstration of the more advanced example piece and tips for better fingerstyle playing and performance.
26:58 Recap on lesson and fingerstyle technique.
Check out these essential guitar power chord shapes and techniques for killer riffs and chord progressions!.
And discover how this one power chord shape can be used to play any power chord you might need…simply by moving around the guitar neck (don’t worry, I’ll show you how to do it!)
Watch to learn:
So dive in and start getting killer power chord sounds right away…
Learn the Essential Rock and Metal Guitar Power Chords used by bands like Metallica, ACDC, Black Sabbath, Guns’n’Roses and more!
Get my awesome free POWER CHORD GUIDE With TAB and chord boxes for this and other lessons showing you all the essential guitar power chords!
Power chords are essential knowledge if you want to play rock and metal rhythm guitar, songs and riffs. In this guitar lesson I’ll show you more ‘must know’ guitar power chords used by all rock and metal guitarists and classic bands such as AC/DC, Guns’n’ Roses, Metallica and more. Plus you’ll learn how you can use this single chord shape to play ANY power chord!
Here’s a breakdown of what you learn in this video:
0:42 In the previous power chord lessons we looked at the open string guitar power chords and the chord shapes with an E string root. Now it’s time for the shape with the root on the A string.
Let’s learn the basic power chord shape. We’ll start by learning how to play a B5 power chord at the 2nd fret. Then in a minute we’ll start moving it around the neck to get other power chords. Notice the two different options for fingering this chord shape. This is one of the most often used guitar power chords!
I’m mainly playing this shape on the A,D and G strings but as with the E root shapes you can leave off the little finger note if you want (the G string in this chord shape).
2:02 Playing Any Power Chord With This Shape
By moving the power chord shape up the neck it can be used to play any power chord you might need. This is all to do with the root note, which is the note you play with your 1st finger on the A string. Whatever this note becomes as you move the chord shape around determines which power chord you are playing. The chords you get are: 2nd fret-B5, 3rd fret-C5, 5th fret – D5, 7th fret – E5, 8th fret – F5, 10th fret – G5, 12th fret – A5. Make sure you learn this – very important!
1:52 The Moveable Power Chord Shape
By moving the power chord shape up the neck it can be used to play any power chord you might need. This is all to do with the root note, which is the note you play with your 1st finger on the low E string. Whatever this note becomes as you move the chord shape around determines which power chord you are playing. The chords you get are: 1st fret-F5, 3rd fret-G5, 5th fret – A5, 7th fret – B5, 8th fret – C5, 10th fret – D5, 12th fret – E5. Make sure you learn this – very important!
3:42 Sharps and Flats for Power Chords
Make sure you can also play power chords with a sharp(#) or flat (b) root note. These are all played at the frets in between the ones we played the shape at earlier. See the lesson for details and demonstration.
4:57 Power Chord Playing Tips
Remember you only want to play the strings in the chord shape -try to deaden off all other strings by lying your left hand fingers slightly flat across the neck. I mainly do this with my 1st finger. Also experiment with using ‘palm muting’ to give the chords a more chunky, tighter sound. Lightly rest the flesh of your picking hand on the strings to ‘palm mute’.When you want to, release the palm muting slightly to let the power chord ring out a little more.
5:24 How To Use These Power Chord Shapes
It is essential that we practice USING new material in our playing – otherwise we just forget it! Try taking the 3 sets of power chord shapes we’ve covered in these lessons and experimenting with combining them. See if you can make up some killer power chord riffs and chord sequences of your own.
If you want to play rock and metal rhythm guitar, then you must know Power Chord shapes. These are chord shapes used by all rock and metal guitarists and classic bands such as Metallica, Guns n’ Roses, AC/DC and much more. Here I’ll show you these chords and how to use them
In this lesson we are going to see:
With these chords, you can play almost any metal and rock song. Don’t forget to download my awesome free POWER CHORDS GUIDE With TAB and chord boxes for this and the other Power Chord Lessons!
Power Chord Shapes – Learn the Essential Rock and Metal Power Chords used by bands like Metallica, ACDC, Black Sabbath, Guns’n’Roses and more!
Get my awesome free POWER CHORD GUIDE With TAB and chord boxes for this and the other Power Chord Lessons!
More Essential Guitar Power Chord Shapes
Power chords are essential knowledge if you want to play rock and metal rhythm guitar, songs and riffs. In this guitar lesson I’ll show you ‘must know’ chord shapes used by all rock and metal guitarists and classic bands such as AC/DC, Guns’n’ Roses, Metallica and more. Plus you’ll learn how you can use these to play ANY power chord!
Here’s a breakdown of what you learn in this video:
0:38 Basic Power Chords Shape
We’ll start by learning how to play an F5 power chord at the 1st fret. Then in a minute we’ll start moving it around the neck to get other chords using the same shape. Notice the two different options for fingering this chord shape.
1:28 Controlling String Noise
Watch your 1st finger position when you play this shape – it should be slightly flat so it mutes off any unwanted strings. This little tip is essential for getting clear and punchy power chords without unwanted string noise!
1:52 The Moveable Power Chord Shape
By moving the shape up the neck it can be used to play any chord you might need. This is all to do with the root note, which is the note you play with your 1st finger on the low E string. Whatever this note becomes as you move the chord shape around determines which chord you are playing. The chords you get are: 1st fret-F5, 3rd fret-G5, 5th fret – A5, 7th fret – B5, 8th fret – C5, 10th fret – D5, 12th fret – E5. Make sure you learn this – very important!
3:05 Alternative Fingering
You can also play the power chord shape without the D string note to get a 2 string power chord shape. These can be used interchangeably with the 3 string version and are basically the same thing. They can also be moved around the neck to get different power chords.
4:20 Sharps and Flats
Make sure you can also play power chords with a sharp(#) or flat (b) root note. These are all played at the frets in between the ones we played the shape at earlier. See the lesson for details and demonstration.
5:15 Chord Connecting Exercise
This simple exercise uses the shape played as A5, C5, F5 and G5.
I’m using the 3 string shape here although you could use the 2 string form if you prefered. Notice how I’m using ‘palm muting’ to gives the chords a more chunky, tighter sound. Lightly rest the flesh of your picking hand on the strings to ‘palm mute’. On the final A5 chord I release the palm muting slightly to let the chord ring out a little more.